MENDELSSOHN
Elijah

Jeffrey Goble, baritone, has been enter-taining audiences across the world with roles such as Giovanni (Don Giovanni), DC Public Opera; Conte Almaviva (Le Nozze di Figaro), International Vocal Arts Insti-tute, Tel Aviv, Israel; Guglielmo (Così fan tutte), Halifax Summer Opera, Canada; Pacific Opera Project, Pasadena, CA; Figaro (Il Barbiere di Siviglia), San Fran-cisco Conservatory; Escamillo (Carmen), Commonwealth Lyric Opera, Boston; Hudson Opera Theatre, NY; Pandolfe, (Cendrillon), Resonance Works, Pittsburgh, PA; Halifax; Utopia Opera, NYC; Schau-nard (La Bohème), Opera North, Lebanon, NH; Hudson Opera Theatre; Dandini (La Cenerentola), Bay View Music Festival, Mich.; Sweeney (Sweeney Todd), Bay Town, TX; Registrar/Yamadori (Madama Butterfly), Opera Theatre of St. Louis; Keeper, (The Rake’s Progress), Music Aca-demy of the West, Santa Barbara, Chau-tauqua Institute; Melisso, (Alcina), San Francisco Conservatory Baroque; Tom Joad (The Grapes of Wrath), Moores Opera Center, Houston; Fiorello (Il Barbiere di Siviglia), Music Academy of the West, and in Philip Glass’s Hydrogen Jukebox, Utoptia Opera, NYC. He has performed solos in concerts with the Orquestra Sinfonica de Mineria, Mexico City; Israeli Chamber Orchestra, Tel Aviv; Dartmouth College, the Johnstown Symphony Orchestra, Johnstown, PA, among others. Festivals include the Chautauqua School, Oberlin in Italy, Opera Theatre of St. Louis, Hali-fax Summer Opera, and Music Academy of the West. His devotion to Art Song has led to performances as a recitalist inclu-ding Schumann’s Dichterliebe with the Carnegie Hall foundation and the Marilyn Horne Legacy series. B.M. Eastman School of Music; M.M., Moores School of Music, Houston, TX; Post-Graduate Diploma, San Francisco Conservatory of Music.

Kathleen Reveille, mezzo-soprano, has been praised for her “soaring and poised” vocal ability. Most recently, Reveille was awarded second prize in the Premiere Opera Foundation/ NYIOP international vocal competition. Ms. Reveille is a twice-nominated recording artist for her perfor-mances with the Warsaw Philharmonic. Those performances include the Polish premieres of Britten’s The Turn of The Screw, and the double bill of Vaughn Williams’ Riders to The Sea; Holst’s At The Boars Head. (International Classical Music Awards, Best Opera Album of the Year, 2015. 2016.) In a review from Gramophone Magazine, “Kathleen Reveille, with her baleful, dark mezzo, is a near-ideal Miss Jessel.” In 2018 Ms. Reveille made her Carnegie Hall début as the mezzo soloist in Mozart’s Requiem; Cecilia Chorus of New York, as well as completing her first summer as an apprentice singer with the Santa Fe Opera, covering Zulma in L’Italiana in Algeri. In the summer of 2019 Reveille made her Santa Fe Opera stage début as the Mayor’s Wife in Jenůfa. Most recent roles include Maddalena (Rigoletto) and Flora (La Traviata) with the Hudson Opera Theatre. Reveille received a Master of Music from Yale University (2016), and a Bachelor of Music from Mercyhurst University; D’Angelo Opera Theatre (2014). Ms. Reveille adds the role of Dalila to her repertoire in Hudson Opera Theatre’s upcoming performances of Saint-Saëns’ Samson et Dalila in April of 2024.

Jeduthun Chung Gu Kim, tenor, is an Assistant Professor of Voice Ouachita Baptist University. He holds a DMA from the University of Minnesota-Twin Cities, an MM from New Jersey City University, and a BM from Han Yang University in South Korea. Dr. Kim has appeared in the US at Carnegie Hall, Lincoln Center, the National Opera Center, and DiMenna Center, and internationally in South Korea, Kazakhstan, Kyrgyzstan, Turkey, and Peru. He has sung with Hudson Opera Theatre, New Rochelle Opera, New York Lyric Opera, Amore Opera, Wyckoff Opera, Garden State Philharmonic, New York Queens Choral Society, New York Westchester Choral Society, Martina Arroyo Foundation, the Korea National Opera, Chosun Opera, and Yewool Opera, etc. His  operatic credits include Alfredo (La traviata), Chevalier (Dialogues des Carmélites), Don José, Don Ottavio, Duke (Rigoletto), Edgardo (Lucia), Ferrando (Cosi fan tutte), Nemorino, Peter Quint, Rodolfo, Romeo, Tamino, and Chairman (Mary Poppins, The Musical). He has been featured in Bach’s B minor Mass, Beethoven’s Symphony No.9, Gounod’s St. Cecilia Mass, Handel’s Messiah, Haydn’s The Creation, Mendelssohn’s Elijah, Mozart’s Coronation Mass, Saint-Saëns’ Christmas Oratorio, the Verdi Requiem, and also in musical theatre showcases, and crossover genre concerts. He is the winner of the 2021-22 USO Concerto Competition, the Dominick Argento Fellowship, the New York Lyric Opera National Competition, the Peter Elvins National Vocal Competition, the American Opera Idol National Vocal Competition, and the John J. Cali Young Artist Award.